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Movement 3: Listening for Medium

Movement 3: Listening for Medium​


This is about paying attention to how meaning travels. How does sound shape what you feel and understand? What can a voice, a pause, or a burst of music do that text cannot? Begin listening not just for content, but for craft.


Core Question:​

How does the medium shape the message?


Pedagogical Purpose:​

This movement introduces learners to the specific rhetorical and narrative capacities of audio storytelling, To shift students from a purely conceptual or textual mindset into an embodied, multimodal awareness.


Student Outcomes:​

Students will be able to:

  • Articulate key differences between audio and written forms,
  • Identify rhetorical strategies unique to audio media,
  • Envision how their research findings and narrative ideas could be expressed effectively in an audio format,
  • Identify specific affordances of the podcast medium they wish to explore for their project.

Interaction Design: Reflection Prompts​

(Choose 2–3 prompts to reflect on.)

  • How does a podcast communicate differently from a paper?
  • What structural or audio strategies stood out in podcasts you have heard?
  • How might the structure of your podcast (e.g., single narrator, multiple voices, segments) best serve your story?
  • Compared to a written essay, what feels possible in a podcast?
  • What might this medium limit or resist?
  • Thinking back to a key 'surprise' or 'moment of friction,' how could specific audio techniques (like a shift in tone, a revealing sound effect, or a strategic pause) amplify the impact for a listener?
  • If your research involves data, how can you represent that data compellingly through sound or narration?
  • As you move toward audio storytelling, what techniques from podcasts you admire might help convey the nuances of your findings?

Reflection Journal Companion​

Follow the standard Reflection Journal structure:

  • What I Am Noticing,
  • What Feels Hard or Unsettled,
  • What I Want to Carry Forward.

(See Movement 1 for a full detailed example.)


Black Box Micro-Engagement

At the end of this Movement, you will complete a Black Box Micro-Engagement:

  • Action Step: A production-related activity focused on exploring the affordances, textures, or pacing possibilities of sound-based storytelling. (Specific task TBD.)
  • Personal Reflection: Reflect on the tools used, surprises, frustrations, and solutions.
  • Relational Reflection: Reflect on any outside help you sought (e.g., tutorial, video, peer, etc.).
  • Source Acknowledgment: Briefly cite any external models, templates, or inspirations.
  • Organization Reflection: Describe how you saved, named, and organized your experimental audio work for future use.

(See Movement 1 for detailed reflection structure.)


AI Role​

  • Current AI Role:
    Prompts students to reflect on audio affordances β€” how sound, texture, pacing, and tonal shifts can function rhetorically.

  • Explore Further AI Role (Audio Motif Suggester):
    Suggests 2–3 small sound-design sketches and 5-second TTS (Text-to-Speech) demos,
    helping students rapidly prototype different textures, moods, and pacing possibilities for their project.


πŸ€”πŸ’­ More Reflection Prompts​

Additional Prompts
  • How does silence shape meaning in audio storytelling?
  • Where might a sonic motif (recurring sound or musical phrase) help structure your project emotionally?
  • How does voice, tone, rhythm, and vulnerability create relational space with an audience?
  • What risks or challenges does audio storytelling introduce for you personally?
  • How did it feel to listen instead of read?
  • Were there any β€œsignposts” to help guide the listener?
  • How were interviews or other voices introduced and contextualized?
  • Was the speaker doing more than just delivering information?
  • What are some things that work better in audio than in text?
  • What do you want to emulate from the podcast you heard?
  • What’s one audio move that felt powerful and achievable for your project?
  • What possibilities does sound open up that you hadn’t considered before?